Synopsis
The stark portrait, mainly in greys and black, that James McNeill Whistler painted of his mother is now a picture that is widely lampooned as a portrait of a prim Victorian lady. She is shown smoking reefers, wearing trainers, having a tatoo. But Whistler's approach was revolutionary in its time, wholly departing from the Victorian tradition of sentimental narrative painting. His relationship with his mother was also an intriguing study in contrasts.
